The "Silver Fräulein" series employs silver as a tool to objectify models, erasing their natural skin tones and rendering them into cold, lifeless entities. The artist bestows a sense of luxury upon silver, reminiscent of its historical association with privileged groups. The series delves into power dynamics between photographers and subjects, especially in capturing nudity or sensuality, and explores the impact of the male gaze on non-male-oriented models.

Throughout the process, the photographer remains comfortably clothed behind the camera, while the model stands exposed and vulnerable, isolated and passive. The photographer holds complete authority over the final image. These staged scenes depict the photographer's desires, using the camera to dehumanize and objectify the subject, echoing societal movements on models' rights. Questions arise regarding the boundaries of a model's power—whether confined to their professional roles or subtly assimilated into perceived attributes.

Symbolic elements like chains and locks represent the manipulative power dynamics between photographer and model. The camera lens, akin to a male sexual organ, aggressively points toward the model, reflecting the photographer's desires. The photographer's reflection in the mirror signifies authority, questioning whether models should suppress personal emotions for professionalism.

By presenting these thought-provoking images, "Silver Fräulein" encourages viewers to reconsider the ethical dimensions of capturing explicit content and underscores the importance of empathy, respect, and a balanced power dynamic between the photographer and the subject. The artist invites the audience to engage in a dialogue about the responsibilities and ethical considerations inherent in the creation and consumption of daring visual narratives.